Enthusiastic sh.it.head

  • 0 Posts
  • 22 Comments
Joined 2 years ago
cake
Cake day: June 9th, 2023

help-circle

  • It really depends. Apologies can be a tricky business, but tossing them out can help bring the temperature down to move forward. Sometimes you have to read between the lines to determine whether it’s useful or not, or what exactly they want an apology for (it’s not always what you’d think at first).

    Looking at your example in the end, I’d take the following tack - “I’m sorry, I didn’t mean to offend you. When I’m here, I try to stay really focused on what I need to do. If I’m not super responsive or don’t notice you right away, it’s because I’m concentrating on something else. It doesn’t mean that I am deliberately ignoring you, or think badly of you. [If you can muster it/can honestly say something nice about them, do it. It helps. Has to be genuine though.] I hope you understand.”

    Might calm things down, might not. But I’ve had folks respond to this approach before (when they just want to feel acknowledged, which is where most ‘y u ignoring me’ reactions come from).




  • Worst I hurt myself: Older, much larger cousin broke my leg by landing on it in a bouncy castle.

    Injury that pissed me off the most: At 13, I loved jiujitsu and rock climbing above all else. At my last jiujitsu class before going to California to, among other things, go bouldering in Joshua Tree, I sliced my heel badly on the metal bottom of the dojo door that had about an inch and a half of clearance from the floor.

    Shoes in general, let alone those super-tight climbing shoes, were out of the question for two weeks. I’m still mad. Of all the ways I could’ve got hurt, it was the fucking door on the way out that took me down.


  • Primarily the audience. The artist can approach a project with a certain set of ideas, precepts, and motivations, and attempt to communicate something, but the interpretations of the audience supercede that IMO.

    That said, different levels of engagement inform different interpretations. For instance, there’re folks who watched Starship Troopers that didn’t understand it was satire until they listened to the director’s commentary. Knowing this does impact an audience’s interpretation when engaging with the work - all of a sudden, certain things lend themselves to closer consideration. But the audience still brings their own experiences, sociocultural context, and ideas to a work of art. Over time, it is the audience’s interpretations that carry on as people share that experience.

    Ideally, a work stands on its own without reference to paratext/the creator’s claims. But those can play a part in informing your own interpretation.




  • It’s not the worst idea, though of course you’d need to figure out if taking a job in another city is worth maybe having to move your family/your wife having to transfer or find a new role herself.

    Don’t limit yourself to this, but something to think about re: searching: What private labs operate in your part of Canada (Lifelabs, Dynacare, etc.)? Who holds the contracts for hospital lab sample/supply transportation (this can be tricky to suss out, but if you find yourself near hospitals at all, think about the branding on courier vans you see)? Etc.


  • I see you’re at lemmy.ca - are you a Canadian? If so, and you don’t mind sharing, where in the country do you live?

    Your experience makes me think something re: logistics operations in the medical industry could be of interest, and I see postings from time to time. But availability really hinges on where you are. Won’t lie, they are stressful jobs, but compensation and benefits can be good, and there’s some opportunity to cut your teeth on projects like route optimization and/or get paid PM training.